Tag: Poetry

Pathway Poem #21

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Today’s poem is by John O’Donohue from Conamara Blues published in 2001 by HarperCollens Publishers, Inc. O’Donohue was an Irish priest much loved for his spiritual writings. I was attracted to this book of poetry because of the title. I have visited Ireland three times. I love every place I have been there. But my favorite is the west coast area of Galway and Conamara. The poem chosen for today illustrates a pathway into the Presence.

As always, I encourage you to read the poem slowly and to read it twice.

The Secret of Thereness

And the earth fled to the lowest place.
And the mystery of the breeze,
Arising from nowhere, could be
A return of unrequited memory
Awake at last to a sense of loss,

Stirring up the presences in these fields,
Clutches of thistle roll their purple eyes,
Grasses wave in a trembling whisper,
Profusions of leaf dance slowly

On the low spires of rowan trees;
In fields and walls the granite ones
Never waver from stillness, stones
Who know a life without desire,

Each dwells in its own distance
From night acclaimed by twilight
And day released through dawn.

Utterly focused in their stance,
Stones praise the silence of time.

If you have ever been to Conamara, you have seen those stones “focused in their stance” rising up out of the ground and in their places as part of a wall. They are everywhere. They “never waver in their stillness.” That is the image that calls me back to a spiritual truth that is so easily lost in the hectic pace of the modern world.

It is the “secret of thereness”. I cannot express how important it is to practice stillness, silence, simply being ‘there’. I cannot say that it is only in stillness that we can experience the presence of God, but I can affirm both personally and from the witness of other seekers over the centuries, that if we are still and attentive, the Presence might touch us.

alone not lonely—
solitary with God
by a mountain stream

The haiku was first published in frogpond, vol. 43:1 winter 2020, Haiku Society of America, Inc.

As always, please feel free to share this blog with your friends.

Peace,
LaMon

Pathway Poem # 20

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The following poem is by Gillian Clarke. I first found it in Word in the Wilderness: A Poem a Day for Lent and Easter by Malcolm Guite. It was originally published in Gillian Clarke: Collected Poems published by Carcanet in 1997.

Gillian was the national poet of Wales. The poem below reflects a reading she gave on St David’s Day in a mental hospital. St David is the national saint of Wales. He lived in the 6th century. This poem is a reminder of how impactful poetry can be. Please, remember that this poem was written over 25 years ago, so some of the language may no longer be used to talk about people with mental illness. Don’t let that keep you from missing the true power of this poem.

Miracle on St David’s Day

They flash upon that inward eye
Which is the bliss of solitude,
The Daffodils, William Wordsworth

An afternoon yellow and open-mouthed
with daffodils. The sun treads the path
among cedars and enormous oaks.
It might be a country house, guests strolling,
the rumps of gardeners between nursery shrubs.

I am reading poetry to the insane.
An old woman, interrupting, offers
as many buckets of coals as I need.
A beautiful chestnut-haired boy listens
entirely absorbed. A schizophrenic

on a good day, they tell me later.
In a cage of first March sun a woman
sits not listening, not seeing, not feeling.
In her neat clothes the woman is absent.
A big mild man is tenderly led

to his chair. He has never spoken.
His labourer’s hands on his knees,
he rocks gently to the rhythms of the poems.
I read to their presences, absences,
to the big, dumb labouring man as he rocks.

He is suddenly standing, silently,
huge and mild, but I feel afraid. Like slow
movement of spring water or the first bird
of the year in the breaking darkness,
the labourer’s voice recites The Daffodils.

The nurses are frozen, alert; the patients
seem to listen. He is hoarse but word-perfect.
Outside the daffodils are still as wax,
a thousand, ten thousand, their syllables
unspoken, their creams and yellows still.

Forty years ago, in a Valleys school,
the class recited poetry by rote.
Since the dumbness of misery fell
he has remembered there was a music
of speech and that once he had something to say.

When he’s done, before the applause, we observe
the flowers’ silence. A thrush sings
and the daffodils are aflame.

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Peace,
LaMon

Pathway Poem #19

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I lead a contemplative class on Sunday mornings. This week, one reading we had was from Mary Oliver’s Thirst.

Praying

It doesn’t have to be
the blue iris, it could be
weeds in a vacant lot, or a few
small stones, just
pay attention, then patch

a few words together and don’t try
to make them elaborate, this isn’t
a contest but the doorway

into thanks, and a silence in which
another voice may speak

One of the most impressive prayers I have ever heard was voiced in 1971 when I was leading a youth group in El Sobrante, California. A teenager had joined our group (and church) a few weeks before. One night after church the young people met in a member’s home. At one point, I had invited the young people to voice their own prayers to God. Several did. Then toward this end, I heard the soft voice of this young man pray. He simply said, “Thank You.” I have never forgotten that beautiful two word prayer.

Mary Oliver asks us to do three things. First, pay attention to life. Second, voice thanks to the creator of life. Third, sit in silence to perhaps hear another voice respond. This is a good pattern for a contemplative life.

croaking frogs
chittering birds
Creator listens

May wisdom fill your mind and peace overflow in your heart,
LaMon

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Pathway Poem #12

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Jane Kenyon was a wonderful poet. She died of leukemia at the age of 48. She wrote,

There are things in life that we must endure which are all but unendurable, and yet I feel that there is a great goodness. Why, when there could have been nothing, is there something? This is a great mystery. How, when there could have been nothing, does it happen that there is love, kindness, beauty?1

Among the many poems in Otherwise: New & Selected Poems by Jane Kenyon, I have chosen the following:

At the Feeder

First the Chickadees take
their share, then fly
to the bittersweet vine,
where they crack open the seeds,
excited, like poets
opening the day’s mail.

And the Evening Grosbeaks–
those large and prosperous
finches–resemble skiers
with the latest equipment, bright
yellow goggles on their faces.

Now the Bluejay comes in
for a landing, like a SAC bomber
returning to Plattsburgh
after a day patrolling the ozone.
Every teacup in the pantry rattles.

The solid and graceful bodies
of Nuthatches, perpetually
upside down, like Yogis . . .
and Slate-Colored Juncoes, feeding
on the ground, taking only
what falls to them.

The cats watch, one
from the lid of the breadbox,
another from the piano. A third
flexes its claws in sleep, dreaming
perhaps, of a chicken neck,
or of being worshiped as a god
at Bubastis, during
the XXIII dynasty.

What makes life worth living if not “love, kindness, beauty” and perhaps a bit of humor.

We have a beautiful Korat cat named Jinx. He too watches the birds at our feeders. And the beautiful birds come all 12 months of the year. Like Jinx, I too like to watch them, though perhaps with a different desire.

One of my Autumn haiku:

a beautiful morning:
just watching the birds feeding
and the leaves falling

May you all rejoice in the beauty around you–blessings of God. As always, feel free to share this blog with others. And comments are always welcomed–really! Peace, LaMon

1 Good Poems for Hard Times by Garrison Keillor, p.314.

Pathway Poem #11

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As I continue to work my way through my books of poetry, I have come the last J. It is A Night without Armor by the famous singer-songwriter, Jewel Kilcher. It contains poems from her journals as she grew up in Alaska. The poem that moved me most was next to the last one, so written, I imagine, in her twenties.

God Exists Quietly

God exists quietly.

When I sit still and contemplate
the breeze that moves upon me
I can hear Him.

For hours I would lay
flat upon the meadows
stare at the
endless field of blue sky
and revel in
the divine placement of all things.

I would walk alone
in the woods and let my mind wander
freely, stumble across theories
on the origins of myself
and all things.

In nature I knew all things had
their place. None supreme,
none insignificant and so
great peace would come to me
as I fit neatly in the folds
between dawn and twilight.
Living in sync with the rhythm
of the earth, eating what
we grew, warming
ourselves by the coal fire,
creating
myself in the vast silence that existed
between the wild mountains of Alaska
and our front porch.

I grew to love the
Nature of god.
I knew Him best not in churches, but
alone with the sun shining on me through the trees

It birthed a space in me
that would continue to
crave the sacred
and demand sanctity
as my life took flight
and lit out to travel
the world.

It has grounded me
and held me steady
in the strong winds
that have caried me
so far from
where I have been.

Prayer is the greatest
swiftest
ship my heart could sail upon.

I am presently reading a book that I think the Jewel who wrote this poem would resonate with. It is The Forest Unseen: A Year’s Watch in Nature by David George Haskell. It is written in beautiful poetic prose. He would agree with Jewel that “all things had their place.”

Jewel’s experience of what some of us might call the divine in nature created in her a craving for the sacred and a demand for sanctity. It does not happen to everyone, but for many it has. So, again, I am encouraged to spend time immersed in the world of nature.

The title of this poem, so impressed me that I too wrote a poem in 2002. I have written other non-haiku poems, but trust me, none deserve printing! I share this one only because Jewel’s poem inspired it.

Unhurried, unharried, God exists quietly
Impassible Silence weaving improbable dreams
into the fabric of life lightly.

As always I welcome comments and encourage you, that if you find this blog helpful, you share it with others, welcoming them to follow it as also.

Peace,
LaMon

Pathway Poem #9

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According to the Anglican calendar, today is the day that Evelyn Underhill is to be remembered. Perhaps more than any other person, Evelyn Underhill has helped me to learn about and appreciate the path of mysticism. I have over 25 of her books. She was one of the three persons about whom I wrote in my dissertation.

Though she published two books of poetry, it was not her primary writing style. Nevertheless, since I am presently sharing poems that point to a pathway to God, here is one that you mind find helpful. It is found in Immanence: A Book of Verses by Evelyn Underhill. This is the first poem in the book and it is entitled “Immanence”.

I come in the little things
Saith the Lord:
Not borne on morning wings
Of majesty, but I have set My Feet
Amidst the delicate and bladed wheat
That springs triumphant in the furrowed sod,
There do I dwell, in weakness and in power;
Not broken or divided, saith our God!
In your strait garden plot I come to flower:
Above your porch My Vine
Meek, fruitful, doth entwine;
Wait, at the threshold, Love’s appointed hour.

I come in little things
Saith the Lord:
Yea! on the glancing wings
Of eager birds, the softly pattering feet
Of furred and gentle beasts, I come to meet
Your hard and wayward heart. In brown bright eyes
That peep from out the brake, I stand confest.
On every nest
Where feathery Patience is content to brood
And leaves her pleasure for the high emprize
Of motherhood–
There doth My Godhead rest.

I come in little things,
Sayeth the Lord:
My starry wings
I do forsake,
Love’s highway of humility to take:
Meekly I fit my stature to your need,
In beggar’s part
About your gate I shall not cease to plead–
As man, to speak to man–
Till by such art
I shall achieve My Immemorial Plan
Pass the low lintel of the human heart.

This poem was published in 1912, so forgive her use of male language in the fourth line from the bottom! The point of the poem, which I have taken to heart, is that God creates various pathways by which we might find God and that God might fill us with divine love and joy and peace.

sitting with the trees
by a gently flowing stream–
patient rootedness

Now taken a moment and read the poem one more time. I would love to hear what your favorite line or image is in this poem. If you tell me yours, I’ll tell you mine!

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Peace,
LaMon

Pathway Poem #7

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Today is the birthday of Jane Kenyon. She wrote mostly simple poems based on everyday observation. She died in her late 40s after suffering for 15 months with leukemia. Her poems are a good example of what paying attention can look like even if we can’t write poetry like she does. Every time I read in Otherwise: New & Selected Poems, I am moved to begin again to pay attention to what appears before me. It is a calling all of us might hear from time to time.

At the Feeder

First the Chickadees take
their share, then fly
to the bittersweet vine,
where they crack open the seeds,
excited, like poets
opening the day’s mail.

And the Evening Grosbeaks–
those large and prosperous
finches–resemble skiers
with the latest equipment, bright
yellow goggles on their faces.

Now the Bluejay comes in
for a landing, like a SAC bomber
returning to Plattsburgh
after a day of patrolling the ozone.
Every teacup in the pantry rattles.

The solid and graceful bodies
of the Nuthatches, perpetually
upside down, like Yogis . . .
and Slate-Colored Juncoes, feeding
on the ground, taking only
what falls to them.

Cats watch, one
from the lid of the breadbox,
another from the piano. A third
flexes its claws in sleep, dreaming
perhaps, of a chicken neck,
or of being worshiped as a god
at Bubastis, during
the XXIII dynasty.

Having both bird-feeders and a Korat cat named Jinx, I can resonate with every aspect of this poem. I am reminded again of the blessings that come from paying attention to simple things.

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two blue dragonflies
one yellow water lily—
creation’s palette

Peace,
LaMon

Pathway Poem #6

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This poem is found in Seamus Heaney: 100 Poems. It is about being awake.

Had I not been awake I would have missed it
A wind that rose and whirled until the roof
Pattered with quick leaves off the sycamore

And got me up, the whole of me a-patter,
Alive and ticking like an electric fence:
Had I not been awake I would have missed it,

It came and went so unexpectedly
And almost it seemed dangerously,
Returning like an animal to the house,

A courier blast that there and then
Lapsed ordinary. But not ever
After. And not now.

The wind or the leaves or both were like an extra-ordinary messenger. Was it a mystical experience or simply (!!) an inspiration for this poem? In some ways it does not matter. What is important is that he was awake to experience a once in a life time occurrence. Of course, he heard the wind again and the fall of leaves on his roof, but something underneath the ordinary happened this one time–when he was awake. I was reminded of a partial line from the writings of St. Paul, “Awake, o sleeper” (Ephesians 5:14). How easy it can be to sleepwalk through life, to trod the same ruts everyday with our senses unaware of life bursting around us.

Day and night may be filled with “courier(s) . . . lapsed ordinary.” To pay attention, to be awake, is our joyful work.

hillside one spring
four-foot weedy plant–
yellow blossom

As always, if you like this blog feel free to share it with others and encourage them to follow these occasional ramblings.

Peace,
LaMon

Pathway Poem #5

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I continue to share poems from some of my favorite poets. I have found poetry a way of spiritual growth, so I share these that we might grow together.

Today’s poet is Malcolm Guite. The poem is entitled “What if …” It is found in The Singing Bowl: Collected Poems by Malcolm Guite. As always, I encourage you to read this poem aloud. This one is really fun to do so–unless you get tongue-tied.

What if every word we say
Never ends or fades away,
Gathers volume, gathers way,
Drums and dins us with dismay,
Surges on some dreadful day
When we cannot get away
Whelms us till we drown?

What if not a word is lost?
What if every word we cast;
Cruel, cunning, cold, accurst,
Every word we cut and paste,
Echoes to us from the past,
Fares and finds us first and last,
Haunts and hunts us down?

What if every murmuration,
Every otiose oration,
Every blogger’s obfuscation,
Every tweeted titivation,
Every oath and imprecation,
Insidious insinuation,
Every verbal aberration,
Unexamined asservation,
Idiotic iteration,
Every facile explanation,
Drags us to the ground?

What if each polite evasion,
Every word of defamation,
Insults made by implication,
Querulous prevarication,
Compromise in convocation,
Propaganda for the nation,
False or flattering persuasion,
Blackmail and manipulation,
Simulated desperation
Grows to such reverberation
That it shakes our own foundation,
Shakes and brings us down?

Better that some words be lost,
Better that they should not last,
Tongues of fire and violence.
Word through whom the world is blessed,
Word in whom all words are graced,
Do no bring us to the test,
Give our clamant voices rest,
And the rest is silence.

One word of explanation; in the final stanza lines four and five the term “Word” is a reference to the ancient Greek philosophical term logos. It was also used in the New Testament book the Gospel of John. In both contexts, The logos is the prism through which the world was created.

Guite reminds us of how the words we use are filled with destructive power. The poem closes with an affirmation that useful words are more likely to be spoken out of the background of silence. In calm silence, right words, helpful words, even holy words, can arise to bless all who will hear them. May we practice a little silence.

Peace to you all,
LaMon


Pathway Poem 3

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I’ve have learned the secret for reading poetry. I read it aloud and slowly. Usually, if there is any movement in my heart or mind, I will read it a second time. So, again, I encourage you to read today’s poem aloud and slowly. Let the sound and the words sink into your heart and mind.

Today’s poem is by Mary Oliver. It is entitled “Of Love” and found in Red Bird. Oddly, at least to me, it is not found in the huge book Devotions: The Selected Poems of Mary Oliver. Other poems from Red Bird are there, but not this one.

I have been in love more times that one,
thank the Lord. Sometimes it was lasting
whether active or not. Sometimes
it was all but ephemeral, maybe only
an afternoon, but not less real for that.
They stay in my mind, these beautiful people,
or anyway people beautiful to me, of which
there are so many. You, and you, and you,
whom I had the fortune to meet, or maybe
missed. Love, love, love, it was the
core of my life, from which, of course, comes
the word for the heart. And, oh, have I mentioned
that some of them were men and some were women
and some–now carry my revelation with you–
were trees. Or places. Or music flying above
the names of their makers. Or clouds, or the sun
which was the first, and the best, the most
loyal for certain, who looked so faithfully into
my eyes, every morning. So I imagine
such love of the world–its fervency, its shining, its
innocence and hunger to give of itself–I imagine
this is how it began.

When I came to the end of the poem, I just had to sit silently and dwell on that last line, “I imagine this is how it began.” I jotted a few lines below the poem. I revisited it from time to time until this haiku emerged:

creation
love of God incarnate
intrinsic beauty

As Spring begins to blossom may you sense the inherent beauty of love in all of creation.

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Peace,
LaMon