Pathway Poem # 20

The following poem is by Gillian Clarke. I first found it in Word in the Wilderness: A Poem a Day for Lent and Easter by Malcolm Guite. It was originally published in Gillian Clarke: Collected Poems published by Carcanet in 1997.

Gillian was the national poet of Wales. The poem below reflects a reading she gave on St David’s Day in a mental hospital. St David is the national saint of Wales. He lived in the 6th century. This poem is a reminder of how impactful poetry can be. Please, remember that this poem was written over 25 years ago, so some of the language may no longer be used to talk about people with mental illness. Don’t let that keep you from missing the true power of this poem.

Miracle on St David’s Day

They flash upon that inward eye
Which is the bliss of solitude,
The Daffodils, William Wordsworth

An afternoon yellow and open-mouthed
with daffodils. The sun treads the path
among cedars and enormous oaks.
It might be a country house, guests strolling,
the rumps of gardeners between nursery shrubs.

I am reading poetry to the insane.
An old woman, interrupting, offers
as many buckets of coals as I need.
A beautiful chestnut-haired boy listens
entirely absorbed. A schizophrenic

on a good day, they tell me later.
In a cage of first March sun a woman
sits not listening, not seeing, not feeling.
In her neat clothes the woman is absent.
A big mild man is tenderly led

to his chair. He has never spoken.
His labourer’s hands on his knees,
he rocks gently to the rhythms of the poems.
I read to their presences, absences,
to the big, dumb labouring man as he rocks.

He is suddenly standing, silently,
huge and mild, but I feel afraid. Like slow
movement of spring water or the first bird
of the year in the breaking darkness,
the labourer’s voice recites The Daffodils.

The nurses are frozen, alert; the patients
seem to listen. He is hoarse but word-perfect.
Outside the daffodils are still as wax,
a thousand, ten thousand, their syllables
unspoken, their creams and yellows still.

Forty years ago, in a Valleys school,
the class recited poetry by rote.
Since the dumbness of misery fell
he has remembered there was a music
of speech and that once he had something to say.

When he’s done, before the applause, we observe
the flowers’ silence. A thrush sings
and the daffodils are aflame.

As always feel free to share this blog with friends and encourage them to follow.

Peace,
LaMon

Poem Pathway #14

the psalmist believed
appearances be damned–
God is just

The above haiku was inspired by reading Psalm 94. In this blog, I am repeating a theme which I mentioned earlier, but it is so important in the religious life of the Psalm writers, that I thought it worth mentioning again. One way to experience the smiling presence of the divine is to care for that for which God cares. In the case of Psalm 94, it includes the widow, the stranger, the orphan.

However, it was a poem by Michael Guite reflecting on Psalm 94 that crystalized my thoughts in this area again. The poem is found in David’s Crown: Sounding the Psalms (London: Canterbury Press, 2021), p. 94.

Psalm 94: XCIV Deus ultionum

My saviour stands and keeps my soul serene
But also sends me back into the world
To speak his word and challenge the obscene

Injustices we take for granted, sold
As we are on systems that preserve
Our privileges and barter truth for gold,

Putting our souls to silence. We reserve
Our judgement, but the psalmist makes it clear
Justice is coming for God’s poor. We serve

Him best if we can also serve them here,
Rise up and take their part against the proud
Deliver them from harassment and fear.

We have been pietistic, quiet, cowed
But we must come out publicly and cry
For equal rights and justice, cry out loud.

May the presence of God be real in our lives as we love what God loves.

Peace,
LaMon

Redwood Wisdom

Michael Guite in The Word in the Wilderness reminded me that poets are more than simply names on our bookshelves. The purpose of good poetry is to delight and instruct. First and foremost it delights,…and then it leads to truth, teaching us something worth knowing (p. 84).

Today’s Pathway Poem is by Pamela Cranston in Searching for Nova Albion (Eugene, Oregon: Resource Publications, 2019)

Why Redwoods Grow So Tall

Watch a coastal redwood
long enough, you’ll catch it
listening. It rises so high,
at first you think it is star-pulled,
winched from outer space–
solitary, detached from the cares
of lowly earthworms and sparrow cries.

But no redwood ever grows alone.

Look with eyes closed and see
how wide its root-thrust extends.
Not from a single taproot,
but from an intricate, buried web
of sturdy thatch.
Redwoods march together,
a family of giants
with arms linked together,
sharing their stories.

And not just with each other
but with raven and deer,
cougar and salmon, with dragonfly
and inchworm–even stories
of you and me. Together
our storylines climb the rings
rising up the core, and carve
a thousand trenches
in weathered bark.

A redwood grows wise
by attending to its neighbors,
then takes each story
and offers it
with upstretched hands.

It has done this so long,
its fingers
touch the fringe of heaven.

Honestly, almost every time I read this poem (aloud, of course!), it seems that something new is learned. But the first thing that caught my attention earlier this year was that single line, “But no redwood ever grows alone”, coupled with images of intermingled roots and arms.

I was reminded of how much of the good in my life comes from my friends, both personal and literary. Choosing our friends is one of the most important things we can do, whether these friends are found in immediate relationships or are the authors of significant books.

redwoods’ lesson:
no one can grow strong alone
find a few good friends

As always, you may share this blog and encourage others to follow.

Peace,
LaMon